Anat Ebgi is pleased to announce Charlotte Edey All Words Are Written In Water on view at 6150 Wilshire Blvd from April 27 through June 15. This is Edey’s first solo exhibition with the gallery and presents bead-embellished tapestries, pastel drawings, and sculpture. A public reception will take place on Saturday, April 27 from 6 – […]
Curated by Jasmine Wahi, VAMPIRE::MOTHER is an exhibition realised by Vortic Curated and Anat Ebgi. The latest iteration in Vortic Curated’s hybrid exhibition series, VAMPIRE::MOTHER will open at Anat Ebgi’s Wilshire Boulevard gallery in Los Angeles from 27 January to 2 March 2024, with a virtual extension launching to coincide with Frieze L.A. on 28 […]
Alannah Farrell’s portraiture draws on both art historical traditions and the intimate, charged connections between the artist and sitters, who are often Farrell’s queer friends, lovers, and neighbors. Farrell renders this deeply personal subject matter surrounding identity, gender dysphoria, and selfhood from a protective vantage point — a kind of buffer between the sitter and […]
Fifty years after monumental environmental art installation Womanhouse opened in LA, the feminist art exhibition gets a redux courtesy of curator Anat Ebgi Gallery (along with Stefano di Paolo and Los Angeles Nomadic Division). WOMANHOUSE, currently on view on Fountain Ave., features artworks by key figures in the original exhibition (Mira Shor, Faith Wilding, Karen […]
The first piece I encountered at Jane Margarette’s solo show, A Honey of Tangle, was a cartoonishly oversized pink ceramic latch, held in place with a turning padlock. The artwork, Latch 3 (2019), implies a kinetic motion, a theme that continues across the works on view. In the main gallery, more locks and latches take […]
In Sarah Ann Weber’s “Strong Blossoming Thing Forever,” florals become a maximalist patina that engulf the artworks. The female figures set into these edge-to-edge tropical motifs are lithe and stoic, like classical sculptures pulled out of art history texts (and some are—one references Botticelli’s “Birth of Venus”). Some frolic among the blooms, enjoying their splendor, […]
Anat Ebgi opened their new Wilshire gallery space in early December with a group show called “Good Company,” co-organized with former MOCA curator, Paul Schimmel. As if the usual six-week exhibition wouldn’t quite mark the milestone, the gallery has stretched the exhibition out through May, rotating the works and artists to form three back-to-back shows. […]
On view: November 2–December 14, 2019 In a Culver City gallery, a pale, ghostly woman lays astride a horse, scythe in hand, as if headed into battle. Anat Ebgi’s press release points us to a somewhat overdramatic William Blake poem—“Cruelty has a Human Heart / And Jealousy a Human Face,” it reads. Artist Srijon Chowdhury lifts […]
