Based on the 1956 novel Une Vie de Boy by Cameroonian diplomat Ferdinand Oyono, the 120-minute-long performance is directed by Kentridge and explores themes of historical participation, archival memory, and post-colonial identity. Upending accounts of colonial history told by colonizers, Houseboy looks at the same period through the vantage-point of the colonized, specifically through the eyes of Toundi Ondoua […]